1988,9³â âÀÛ¿¬±Ø <TAXI,TAXI> °ø¿¬Àå¸é°ú ´ç½ÃÀÇ Ticket À̹ÌÁö
1988,9 creation theatrical performance scenes and Ticket images <TAXI,TAXI>
¿ÃÇØ 2010³â 8¿ù '´ëÇзο¹¼ú±ØÀå¼Ò±ØÀå'¿¡¼ 9³â¸¸ÀÇ ¼¿ï°ø¿¬À¸·Î È»çø(ü£ÞïôÞ)À» ¾²°í ¿¬ÃâÇß´Ù.
ÀϺ» µµÄì¿¡¼ 2003³â <¼¶.isle.Óö> ÀÌÈÄ ¸¸ 6³â¸¸ÀÇ °ø¿¬À̾ú´Ù.
³»³â 2011³â ¿¬±Ø <TAXI,TAXI>¸¦ °ø¿¬ÇÑ´Ù.
Will perform <TAXI,TAXI> 2011 play next year.
Áö±ÝºÎÅÍ 22³âÀüÀÎ 1988³â, 21³âÀüÀÎ 1989³â¿¡ Çß´ø °ø¿¬ÀÌ´Ù.
´ç½Ã ÀÌ ¿¬±ØÀº 'µµ½Ã'¿Í 'ÀüÀï'À» Ç¥ÇöÇß´Ù.
2011³â ´Ù½Ã ¿Ã¸®´Â <TAXI,TAXI> ´Â À͸íÀÇ µµ½Ã, ºÐ¿°ú ÆÄÆíÀûÀÎ »î,
½ÇÁ¾µÈ Àΰ£, »çȸ¸¦ ÇâÇÑ Àΰ£ÀÇ Áú¹®°ú ÀúÇ×À» ¸»ÇÏ°íÀÚ ÇÑ´Ù.
Á¦ÀÛ, ±âȹ - ±è¾ÆÆ® ÀνºÆ¼Æ©Æ® ½Ã¾îÆ® (Kim Art Institute Theater)
Producing and planning - Kim Art Institute Theater
±ØÀÛ, ¿¬Ãâ - ±è»ó¼ö
writer and Director - Kim Sang Soo
¿Àµð¼Ç - 2011³â 1¿ù 12ÀÏ, 13ÀÏ ÀÌƲ°£, ¿ÀÀü 10½ÃºÎÅÍ-
auditions - 2011 January 13th from 9:00 a.m. -
¿¬½ÀÀÏÁ¤ - 2011³â 1¿ù 20ÀϺÎÅÍ, 2¿ù 28ÀϱîÁö
Rehearsal - From 2011 January 20th, until February 28th
±ØÀ帮Çã¼³- 2011³â 3¿ù 1ÀϺÎÅÍ 3ÀϱîÁö
Theater rehearsal - 2011 March 1st until 3rd
°ø¿¬ÀÏÁ¤ - 2011³â 3¿ù 4ÀϺÎÅÍ 5¿ù 1ÀϱîÁö
performance play schedule. 2011 March 4th until May 1st
±ØÀå - ´ëÇзΠ'°ø°£¾Æ¿ï¼Ò±ØÀå'(´ëÇзΠ´ë·Îº¯ KFC ÁöÇÏÃþ)
Theater place - As ' Space Au-l' (KFC underground B1)
ÀÌ ¿¬±ØÀÇ ¹è¿ì(Ã⿬ÀÚ)´Â 3°¡Áö ¿ä¼Ò¸¦ ÀÛ°¡, ¿¬Ãâ°¡·ÎºÎÅÍ ÁÖ¹®¹Þ´Â´Ù.
ù°, ÀÌ ½Ã´ëÀÇ »çȸ¹®Á¦¿¡ ´ëÇÏ¿© °øºÎÇؾ߸¸ ÇÑ´Ù.
µÑ°, ¹è¿ì¶õ À̹ÌÁöimage, ¿¡³ÊÁöenergy ´Ù.
À̹ÌÁö ¿¡³ÊÁö´Â ¹è¿ì ¿¬±âÀÇ °¡Àå ±âº»ÀûÀÎ ¿ä¼Ò´Ù.
µû¶ó¼ ²÷ÀÓ¾øÀÌ ¹è¿ì·Î¼ÀÇ Àڱ⸦ ¼ºÂûÇؾ߸¸ ÇÑ´Ù.
¼Â°, ¿¬±Ø¿¹¼úÀº Àΰ£ÀÇ ¸¸³²ÀÌ´Ù.
Àΰ£ÀÇ ¿¹ÀÇÀÌ°í, ±×¸®°í '´õºÒ¾î °°ÀÌ' ÇÏ´Â Çϸð´Ïharmony´Ù.
¹è¿ì¶õ »ç¶÷¿¡ ´ëÇÑ ¿¹ÀÇ¿Í ¸¸³²¿¡ ´ëÇÑ Á¸ÁßÀÌ ±× ±âº»ÀÌ´Ù.
88³â <TAXI,TAXI> ´ç½Ã ½Å¹® ±â»ç¸ðÀ½
88, at that time journal article vowel
°´¼® ¿¬±Ø¸®ºä
1985³â ÈÁ¦ÀÇ ¿¬±Ø Æ÷·Î±³È¯¿¡¼ 6.25ÀüÀïÀ» º¸¿©ÁØ ÀÛ°¡ °â ¿¬ÃâÀÚ ±è »ó¼ö°¡ ±× ÈÄ 3³â ¸¸¿¡ ³»³õÀº ¹«´ë Taxi, Taxi(10¿ù 25ÀÏ~11¿ù 20ÀÏ, »ê¿ï¸² ¼Ò±ØÀå)´Â ¿ù³²ÀüÀÇ ÆÄÆí°ú µµ½ÃÀÇ »óó¸¦ º¸¿©ÁÖ´Â ÀÛÇ°ÀÌ´Ù. ÀÌÁ¦²¯ 6.25¸¦ ¼ÒÀç·Î ÇÑ ÀÛÇ°Àº ´õ·¯ ÀÖ¾úÁö¸¸ ¿ù³²ÀüÁÀ» Á¦´ë·Î ¾ê±âÇÑ ¿¬±ØÀº óÀ½ÀÌ´Ù. ÀÌ ¿¬±Ø ÅýÃ, Åýô ±× µ¿¾È ' ÀÒ¾î¹ö¸° °Í, °¨Ãß¾îÁø °Í, ¿Ü¸éÇÑ °Í'¿¡ ´ëÇØ ¹°À½À» Á¦±âÇغ¸°í ÇØ´äÀ» ã¾Æº¸·Á´Â ÀÛ¾÷À¸·Î ¿¬±ØÀ» ¸¸µé¾î¿Â ±è »ó¼öÀÇ Ã¢ÀÛÀÇÁö°¡ µå·¯³ ÀÛÇ°À̾ú´Ù.
ÀüÀïÀÇ ÆÄÆíµéÀÌ ¹ÚÇôÀִ ä·Î ¿À´ÃÀ» »ì¾Æ°¡´Â 40´ëÀÇ ¼Ò½Ã¹Î Åýà ¿îÀü»ç¿Í »ê¾÷È »çȸ¿Í µµ½ÃÀÇ ºÎÆи¦ ´ëÇ¥ÇÏ´Â ¿©ÀÚ, ÆóÇã¿¡¼ ÇÇ¾î³ ¹éÇÕ °°Àº ½É¼ºÀ» Áö´Ñ ¼Ò³à°¡Àå õ»ç°¡ ¸¸µé¾î³»´Â »ïÁßÁÖ°¡ ÀÏ°üµÈ ÁٰŸ® ¾øÀÌ ÀÌ »ç°ÇÀÇ ¸ùµûÁê Çü½ÄÀ¸·Î À̾îÁø´Ù.
¹«´ë¿¡´Â ³»ÀåÀÌ µå·¯³ ½Ç¹° Åýà ÇÑ´ë°¡ µ¢±×·¯´Ï ³õ¿© ÀÖ°í ±× ¾Õ¿¡¼ ³ôÀÌ 20cmÁ¤µµ µÇ´Â Á¤¹æÇüÀÇ Á¶±×¸¸ ¹«´ë°¡ ÀÖ´Ù. Åýô ¿îÀü»çÀÇ ÀÏÅÍ¿Í ¿ù³² ÀüÀïÅÍ·Î, µµ½Ã¸¦ »ì°íÀÖ´Â ¿©ÀÚÀÇ »îÀÇ °ø°£À¸·Î »ç¿ëµÇ°í, Á¤¹æÇüÀÇ ¹«´ë´Â ¿îÀü»ç(Á¤ÀçÁø ¿ª)´Â ÀüÀïÀ̶ó´Â °ÇÑ, ±×¸®°í ¹«¸ðÇÑ »ýÁ¸¿©°Ç¿¡¼ »ì¾Æ³²Àº »ç¶÷À¸·Î ±× 떄 ÀÔÀº »óó°¡ ±í´Ù. ÀûÀÌ µû·Î ¾ø´Â ÀüÀå¿¡¼ ¼·Î ¹«¸ðÇÏ°Ô Á×ÀÌ°í Á׾¾ß Çß´ø »ç¶÷µé, »ýÁ¸ÀÚµé. ±×·¡¼ ±×µéÀÇ »îÀº ´õ¿í Àý¹ÚÇÏ´Ù, õ»ç°¡ ´«¸Õ ¾Æ¹öÁö¸¦ À§Çؼ Â÷Ä¡±â¸¦ ½ÃµµÇßÀ» ¶§ ¿îÀü»ç°¡ ÇÏ´Â ´ë»ç´Â ±×°ÍÀ» Àß º¸¿©ÁØ´Ù.
"³×°¡ ³» Â÷¿¡ ¶Ù¾îµéÀº°Ç ³» »õ³¢¸¦, ³» ¸¶´©¶ó¸¦, ³ª¸¦ Á×ÀÌ·Á´Â °Å³ª ¸¶Âù°¡Áö¾ß. ³»°¡ ¾ó¸¶³ª ¹ú¾î¾ß¸¸ ¸Ô°í »ç´ÂÁö ¾Æ´Ï? ¿À´Ãµµ ³ »ï¸¸ »ïõ ¿À¹é¿øÇÏ´Â »ç³³±Ýµµ ¾ÆÁ÷ ¸ø ¹ú¾ú¾î. ÀÌÁ¦ °Ü¿ì ÆÈõ Æȹé¿ø Çß´Ù" µµ½ÃÀÇ ¿©ÀÚ(ÇѼÛÀÌ ¿ª)´Â ¿©·¯ ¿©ÀÚ·Î º¯½ÅÇÏ´Ù. ±×·¯³ª °á±¹Àº µµ½Ã¿¡¼ »óó ÀÔÀº, ±×·¯¸é¼µµ µµ½ÃÀÇ ÇãȲµÈ »î¿¡¼ Çì¾î ³ª¿ÀÁö ¸øÇÏ´Â ¿©ÀÚ¶ó´Â °øÅëÁ¡À» °®´Â Àι°ÀÌ´Ù. ±×³à´Â TV¸¦ ½ÅºÀÇÏ°í µ·À» ÁÁ¾ÆÇÑ´Ù.
õ»ç(¹Ú°æ¼÷ ¿ª)´Â »è¸·ÇÑ µµ½ÃÀû »î¿¡ ¼º¼ö¸¦ »Ñ·ÁÁִ û·®°¨À» Áö´Ñ Àι°ÀÌ´Ù. ´«¸Õ ¾Æ¹öÁö¿Í ¼öÀº º´¿¡ ½Ã´Þ¸®´Â µ¿»ýÀÇ º¸È£ÀÚ·Î °øÀå¿¡¼ ¹Ì½ÌÀ» µ¹¸®´Â ¼Ò³à °¡Àå, ±×³à ¿ª½Ãµµ µµ½ÃÀÇ Àϻ󿡼 »óó¹ÞÀº Àι°ÀÌ´Ù. ÇÏÁö¸¸ ±× À̸§ õ»çó·³ ¼ø¼ö¿Í ¸¼À½À» °®°í ÀÖ´Ù. ¿îÀü»ç¿Í ¿©ÀÚ°¡ ¸¸³ª¸é¼ ÀÌ·ç¾îÁö´Â Àå¸éÀÌ ¸¹Àºµ¥ ºñÇØ Ãµ»çÀÇ ¹«´ë´Â Á¦ÇѵǾî ÀÖ°í ±×³àÀÇ µ¶¹éÀº ½ÃÀûÀÎ ¾ð¾î·Î °¡µæ Â÷ ÀÖ´Ù.
±ØÀÇ ¸¶Áö¸· Àå¸é¿¡¼ µµ½ÃÀÇ ¿©ÀÚ´Â Åýà ¾È¿¡¼ Àü¼±ÁÙÀÌ °¨±ä Á×Àº ¾ÆÀÌ(ºÎÆи¦ »ó¡)¸¦ ³º°í ±×³à°¡ ´Ã °¡Áö°í ´Ù´Ï´ø TVµµ Æı«µÈ´Ù. ±× ¶§ Â÷Ä¡±â¸¦ ½ÃµµÇß´ø õ»çÀÇ ±Í¿¡¸¸ ¾Æ±âÀÇ ¿ïÀ½¼Ò¸®°¡ µé¸°´Ù. ¿îÀü»çµµ ¿©ÀÚµµ µèÁö ¸øÇÏ´Â ¼Ò¸®°¡ õ»çÀÇ ±Í¿¡¸¸ µé¸°´Ù. ±×¸®°í ¾î¸° ¾ÆÀÌµé ¸ñ¼Ò¸®·Î ³ªÀÇ »ì´ø °íÇâÀº .,,³ë·¡°¡ ¸Þ¾Æ¸®Ã³·³ µé·Á¿Â´Ù. ¿©±â¼ ÀÛ°¡ÀǽÄ, ÁÖÁ¦°¡ µå·¯³´Ù.
âÀÛ±Ø ºÎÀç½Ã´ë¿¡ ´Ù¾çÇÏ°Ô ÀÛ¾÷À» ½ÃµµÇÏ´Â ±è »ó¼öÀÇ Ã¢ÀÛÀÇÁö´Â Æò°¡µÉ ¸¸ÇÑ ÀÛÇ°À̾ú´Ù. ±×¸®°í À̹ø ÀÛÇ°¿¡¼ õ»ç ¿ªÀ» ¸ÃÀº ¹Ú°æ¼÷À» ¹ß±¼ÇØ ³½ °ÍÀº Å©´Ù¶õ °á½ÇÀ̾ú´Ù.
1988³â 11¿ù ÁÖÀ¯¹Ì±âÀÚ
"µµ½Ã¿Í ÀüÀï" »õ·Î¿î À̹ÌÁö Á¢±Ù
ÀÛ°¡ÀÌ¸ç ¿¬Ãâ°¡ÀÎ ±è»ó¼ö(30)¾¾°¡ º¸¿©ÁØ Ã¢ÀÛ ¿¬±Ø Taxi, Taxi´Â ¿ì¸®½Ã´ë ºñ±ØÀÇ Á¤Ã¼¸¦ ¿¹¸®ÇÏ°í ³¯Ä«·Ó°Ô ºÐ¼®ÇÑ ÀÛÇ°ÀÌ´Ù. 1½Ã°£ 30ºÐ°£ÀÇ ÀÌ Ãæ°ÝÀûÀÎ ¿¬±ØÀº °ËÀº »öÁ¶ÀÇ ¹«´ë¿¡ ³õ¿©Áø ³ë¶õ ÅýÃ. º¸´Ö°ú ÁöºØÀ» ¶â¾î³½ ¿£ÁøÀÌ¸ç ½ÃÆ®¸ç ¼è·Î µÈ ³»Àå ¸ðµÎ¸¦ µå·¯³» ³õ°í ÀÖ´Â ÀÌÂ÷ÀÇ'µµ½ÃÀû Èä¹°½º·¯¿ò'. ¿¬ÃâÀÚ ±è¾¾°¡ Çؼ®ÇÑ 'µµ½Ã'¿Í 'ÀüÀï' ÀÇ ¿ª»çÀû À̹ÌÁö´Â ÀÌ·¸°Ô ¿«¾îÁø´Ù. Çѱ¹ ÀüÀïÀ» üÇèÇß°í ¿ù³²Àü¿¡ ÂüÀüÇß´ø µµ½ÃÀÇ Åýà ±â»ç¿Í ½Ä¹ÎÁöÈÇÑ µµ½Ã°¡ ³ºÀº ¹°·®ÁÖÀÇ¿Í Ãâ¼¼ÁÖÀÇ¿Í ¹°½ÅÁÖÀÇÀÇ Æ÷·Î°¡ µÈ ¿©ÀÚ »çÀÌÀÇ ´ëÈ- ±× ³»¿ëÀÇ ºñ±ØÀû µÚƲ¸²ÀÌ ÀÛÇ°ÀÇ ÇÑ ÃàÀÌ´Ù. ºñ Àΰ£ÈÇÑ µµ½ÃÀÇ »Ñ¸® »ÌÈù »îÀÇ »ó¡Àû Ç¥»óÀÎ ¼Ò³à(¿©°ø)ÀÇ ³»·¹À̼Ç-ÆÇÀÚÃÌ°ú ö°Å¸¦ ¹è°æÀ¸·Î ÇÑ ¼Ò³àÀÇ »ýÁ¸À» À§ÇÑ ¹ß¹öµÕÀÌ ÀÛÇ°ÀÇ ´Ù¸¥ ÇÑ ÃàÀ» ÀÌ·é´Ù. ÀÌ µÎ Ãà »çÀ̸¦ °£ÇæÀûÀ¸·Î ÆÄ°íµå´Â Åýà ±â»çÀÇ ¿ù³²Àü¿¡ ´ëÇÑ È¸»ó, 'Taxi, Taxi' ´Â ÀÌ·± µÎ°³ÀÇ ÃàÀÌ Áß½ÉÀÌ µÅ ÀüÀï°ú µµ½Ã¿¡ ´ëÇÑ »õ·Î¿î ÀνĿ¡ ´Ù°¡¼°í ÀÖ´Ù. À̹ÌÁö·Î ÇØüµÈ À̾߱⠴ÜÆíµéÀÇ ²÷ÀÓ¾ø´Â ºÎµúÈû. ±â¹ÎÇÑ Àå¸é Àüȯ°ú Æ÷źÀÇ ÆÄÆí°°ÀÌ ¹«´ë¿¡ ¹ÚÈ÷´Â Á¶¸í. ÀÌ ¸ðµç °Íµé »çÀ̸¦ °üÅëÇÏ´Â ¸ùŸÁÖ ¿¬ÃâÀÇ ¿ªµ¿¼º. 'ÀüÀï'°ú 'µµ½Ã' ÀÌ µÎ¸»ÀÌ ÇÔÃàÇÏ´Â ¿ª»çÀû Àǹ̸¦ º¸±â µå¹°°Ô ÁøÁöÇÑ ¿¹¼úÁ¤½ÅÀ¸·Î ²Ù¸ç°£ ÀÛÇ°ÀÌ´Ù.
1988³â 11¿ù 20ÀÏ ÇÑ°Ü·¹ ½Å¹®
ÅýÃ,Åýà ½Å¹®±â»ç
Ç¥·ùÇÏ´Â ¿À´ÃÀÇ »î ±×¸° ¹«´ë .
3³â¸¸ÀÇ ¹«´ëº¹±Í .ÅýÃ,Åýà ¿¬ÃâÇÑ ±è»ó¼ö¾¾
"Àڱ⠼ӵµ¸¦ Á¦¾îÇÏÁö ¸øÇÏ°í À̸®Àú¸® ¶°¹Ð¸®´Â ¿ì¸®½Ã´ë »îÀÇ ¸ð½ÀÀ» ´ã¾Ò½À´Ï´Ù"
Áö³ 85³â Æ÷·Î±³È¯ÀÌÈÄ 3³â¸¸¿¡ âÀÛ¿¬±Ø ÅýÃ,ÅýÃ(20ÀϱîÁö,¼Ò±ØÀå »ê¿ï¸²)¸¦ ¹«´ë¿¡ ¿Ã¸° ±ØÀÛ°¡ °â ¿¬Ãâ°¡ ±è»ó¼ö¾¾(30).
ÅýÃ,Åýô µüÈ÷ ±Ø ÁٰŸ®¶ó°í ÇÒ¸¸ÇÑ °Ô ¾øÀÌ ÁøÇàµÇ´Â Á¡ÀÌ Æ¯Â¡ÀûÀÎ ¿¬±Ø.
"µµ½Ã¿Í ÀüÀï(¿ù³²Àü), ÀÌ µÎ ºÎºÐÀ» ¿¬»ó½ÃÅ°´Â »ç°Ç°ú »óȲµéÀÌ ¼·Î Ãæµ¹ÇÏ¸é¼ ¿ì¸®¸¦ µÑ·¯½Î°í ÀÖ´Â ¹«¼öÇÑ Çö»ó°ú ±×°ÍÀÇ Á¤Ã¼¸¦ ¹¯°Ô µË´Ï´Ù"
µîÀåÀι°µµ Åýñâ»ç(Á¤ÀçÁøºÐ) À͸íÀÇ ¿©ÀÚ(ÇѼÛÀ̺Ð) õ»ç(¹Ú°æ¼÷ºÐ)µî 3¸í»Ó.
õ»ç´Â ºÀÁ¦°øÀå¿¡¼ ÀÏÇÏ´Â ¼Ò³à°¡ÀåÀ¸·Î ¾Æ¹öÁöÀÇ ¼ö¼úºñ¸¦ ¸¶·ÃÇÏ·Á º¸»ó±ÝÀ» ±â´ëÇÏ°í ¿µ¾÷¿ë Åýÿ¡ Ä¡ÀÌ°Ô µÈ´Ù.
Åýñâ»ç´Â ¿À´Ã³¯ÀÇ 40´ë ¼Ò½Ã¹Î»óÀ¸·Î °ú°Å ¿ù³²Àü¿¡ ÂüÀüÇßÀ¸¸ç ¾î¸± ¶§ °ÞÀº Çѱ¹ÀüÀï¿¡ ´ëÇÑ À¯¾Æ±âÀÇ ±â¾ïÀÌ »óó·Î ³²¾ÆÀÖ´Â Àι°. ÅýÃÀÇ ¼Õ´ÔÀ¸·Î ³ª¿À´Â À͸íÀÇ ¿©ÀÚ´Â Á¤½ÅÀû À±¸®Àû µµ´öÀû °¡Ä¡ÆÄźÀÇ ÀÏ»ó¿¡ ³»¸ô¸° ä Åýà ¼Ó¿¡¼ »ç»ý¾Æ¸¦ ³º´Â´Ù.
¿ì¸®½Ã´ëÀÇ ÀÒ¾î¹ö¸° °Í °¨Ãß¾îÁø °Í ¿Ü¸éÇÑ °ÍµéÀ» Á¶¸íÇÏ¸é¼ ¿ì¸® »îÀÇ Á¤Ã¼¼ºÀ» ÀÏ°ü¼º ÀÖ°Ô Áú¹® ÇØ¿Â ±è »ó¼ö¾¾´Â Çö½ÇÀÌ ºÒÇÕ¸®ÇÏ°í ÁßÃþÀûÀÌ°í º¹Àâ´Ù±â ÇÏ´Ù´Â »ç½ÇÀ» ÁٰŸ®º¸´Ù´Â ±¸Á¶¸¦ ÅëÇؼ Ç¥ÇöÇÑ´Ù.
"±Øº»À» ¾µ ¶§ ´Ã Ä«¸Þ¶ó¸¦ ÀǽÄÇÕ´Ï´Ù. °ü°´µé ÀÔÀå¿¡¼´Â Ä«¸Þ¶óÀÇ ´«ÀÌ µÇ´Â °ÍÀÌÁö¿ä. ÀϹÝÀûÀÎ ¿¬Ãâ°ú ´Þ¸® ½Ã°¢ÀûÀÌ°í ¸ùŸÁÖÀûÀÎ ¼ö¹ýÀ» »ç¿ëÇß½À´Ï´Ù"
±è »ó¼ö ¾¾´Â 86³âµµ ´ëÁ¾»ó 4°³ ºÎ¹®À» ÈÛ¾´ <¾È°³±âµÕ>ÀÇ ÀÛ°¡·Î MBC-TVº£½ºÆ®¼¿·¯±ØÀå¿¡¼ <¶Ç Çѹø º½³¯> <´Þºû ¹â±â> µîÀÇ ±Øº»µµ ½è´Ù.
Àڽſ¡°Ô ±Û¾²´Â ÇàÀ§¸¦ 2Â÷ÀûÀÎ °ÍÀ̶ó°í ±ÔÁ¤ÇÏ´Â ±×´Â ÀÚ½ÅÀÇ ±âº»¼ºÇâÀ» '¿¬Ãâ'À̶ó°í ¸»ÇÑ´Ù.
Áö³ 3³â°£ ¿µÈÁ¦ÀÛÀڷκÎÅÍ ¿¬ÃâÁ¦ÀǸ¦ ¸¹ÀÌ ¹Þ¾Ò¾î¿ä. ±×·¯³ª »çȸ°¡ ÇÑ ÀÛ°¡ÀÇ Á¤½ÅÀ» ¿ÂÀüÇÏ°Ô ¹Þ¾ÆµéÀÌÁö ¸øÇϴ dzÅä¿¡¼ ÀÏÇϱ⠽Ⱦî ÀÏ´Ü ¿µÈ ÀÛ¾÷Àº ÀÌÈÄ·Î ¹Ì·ç¾ú´Ù°í Çß´Ù.
±×´Â ³»³â 3¿ù ¿ù³²ÀüÀ» ¼ÒÀç·Î ÇÑ ¿¬±ØÀ» ÇÑÆí ´õ ¹«´ë¿¡ ¿Ã¸± ¿¹Á¤À̸ç 11¿ù Áß¼øºÎÅÍ´Â ±Ù Çö´ë»ç¸¦ ´Ù·é TV¿ë ´ëÇϹ°À» ÁýÇÊÇÑ °èȹÀ̶ó°í.
½ºÆ÷Ã÷¼¿ï 1988³â 11¿ù 3ÀÏ ¸ñ¿äÀÏ
±è»ó¼ö¾¾ 3³â ħ¹¬ ±ú°í [Åýá¦]¿¬Ãâ
Èñ°îÀÛ°¡ÀÌ¸ç ¿¬Ãâ°¡ÀÎ ±è »ó¼ö¾¾(31)°¡ ħ¹¬À» ÁöÄÑ¿Â Áö 3³â¸¸¿¡ ÀÚ½ÅÀÇ ÀÛÇ°[Åýà ÅýÃ]¸¦ ¹«´ë¿¡ ¿Ã¸°´Ù.
[Åýà ÅýÃ]´Â 25ÀϺÎÅÍ 11¿ù 20ÀϱîÁö ¼¿ï ½ÅÃÌ »ê¿ï¸² ¼Ò±ØÀå¿¡¼ ¸ÅÀÏ ¿ÀÈÄ 7½Ã¹Ý(Åä ÀÏ¿äÀÏÀº ¿ÀÈÄ 4½Ã¹Ý 7½Ã ¹Ý)¿¡ °ø¿¬µÈ´Ù.
±è ¾¾´Â 85³â ¿¬±Ø [Æ÷·Î±³È¯]À¸·Î ¿¬±Ø°è¿¡ ¿ª»çÀû Çö½ÇÀ» ±ú¿ìÄ¡´Â Æò°¡¸¦ ¹Þ¾Ò¾ú´Ù. ±×·¯³ª ±× ÈÄ¿¡´Â TV¿Í ¿µÈÂÊ¿¡¼ È°µ¿ÇؿԴµ¥ ¿µÈ [¾È°³±âµÕ] TVº£½ºÆ®¼¿·¯ ±ØÀå [¶Ç Çѹø º½³¯]Àº ±×°¡ ¾´ ÀÛÇ°.
âÀÛ¿¬±Ø¿¡ Àü³äÇϱâ À§ÇØ ¿¬±Ø°è·Î ´Ù½Ã µ¹¾Æ¿Ô´Ù´Â ±è¾¾´Â ÀÚ½ÅÀÇ ¿©¼¸¹ø° ÀÛÇ°ÀÎ [Åýà ÅýÃ]¿¡ ´ëÇØ "µµ½Ã ¼Ó¿¡¼ÀÇ ºÒÇÕ¸®ÇÑ »îÀÇ ¸ð½ÀÀ» ÆÄÇìÃÄ º¸·Á Çß´Ù"°í ¸»Çß´Ù.
ÀÌ ±ØÀº ÇÑ ¼Ò³à°¡ ¾Æ¹öÁöÀÇ ¼ö¼úºñ¸¦ ¸¶·ÃÇϱâ À§ÇØ ºñ½Ñ º¸»ó±ÝÀ» ±â´ëÇÏ°í 'Â÷Ä¡±â'¸¦ ½ÃµµÇÏ¸é¼ ½ÃÀ۵ȴÙ. Çö½ÇÀ» [ÁØ ÀüÀï] »óȲÀ¸·Î ó¸®ÇÑ ÀÌ ±ØÀº ÀüüÀûÀ¸·Î ¾îµÓ°í, ±×·¯³ª ¼Óµµ °¨ ÀÖ°Ô ÁøÇàµÇ´Â °ÍÀÌ Æ¯Â¡.
Á¤ÀçÁø, ÇѼÛÀÌ, ¹Ú°æ¼÷ µîÀÌ Ã⿬.
1988³â 10¿ù 21ÀÏ µ¿¾ÆÀϺ¸
"Taxi, taxi" ºñ±ØÀû Àΰ£»ç ÅëÇØ ¹®¸í ºñÆÇÇß´Ù.
ÀÛ°¡ °â ¿¬Ãâ°¡ÀÎ ÑÑßÓâ³°¡ ¿À·£¸¸¿¡ ½ÅÀÛ "ÅýÃ,ÅýÃ"¸¦ ¹«´ë¿¡ ¿Ã·È´Ù. ±è»ó¼ö´Â "191931"-1982³â À¸·Î ¿¬±Ø°èÀÇ ÁÖ¸ñÀ» ¹Þ±â ½ÃÀÛÇß°í ±×ÈÄ 1985³â¿¡ ¹ßÇ¥ÇÑ "Æ÷·Î ±³È¯" ¿¡¼ Çѱ¹ÀüÀïÀÇ Àǹ̸¦ ³ÃöÇÑ Á߸³Àû ½Ã°¢À¸·Î ³ÃȤÇÏ°Ô ÆÄÇìÃÄ ¿ª»çÀû Áø½Ç¿¡ ´ëÇÑ °´°üÀûÀÌ°íµµ ºñÆÇÀûÀÎ ¼ºÂûÀ» °¡´ÉÇÏ°Ô ÇÏ¿´´Ù. "ÅýÃ,ÅýÃ"¿¡´Â ¿ì¼± °íÁ¤µÈ ¹«´ë°¡ ¾ø´Ù. ¹«´ë¿¡´Â ¿ÂÅë °ËÀº»öÀÇ °ø°£¿¡ Çüü°¡ ¾Ó»óÇÏ°Ô µå·¯³ ³ë¶õ»ö Åýà ÇÑ ´ë°¡ ³õ¿© ÀÖ°í ±× ¾ÕÀ¸·Î »ç¶÷ Çϳª°¡ ¿Ã¶ó ¾ÉÀ» ¸¸ÇÑ Á¤¹æÇüÀÇ ³ªÁö¸·ÇÑ ´ÜÀÌ À§Ä¡ÇØ ÀÖÀ» »ÓÀÌ´Ù. Àüü°¡ °ËÀº»öÀ¸·Î ä»öµÈ ¹è°æÀº Àΰ£ÀÇ Á¸À縦 ±¸¼ÓÇÏ°í ±× »óȲÀ» ±ÔÁ¤Áþ´Â »çȸÀû Á¶°Ç Áß¿¡¼ ¾îµÓ°í Ãß¾ÇÇÑ ¸éÀ» °Á¶ÇÏ°íÀÚ ÇÏ¿´´Ù. ÀÌ¿Í ´ëºñÀûÀ¸·Î ÅýÃÀÇ ³ë¶õ »ö±òÀº µµ½ÃÀÇ Çö¶õÇÔÀ» µ¹Ãâ ½ÃÄ×°í ÀÚµ¿Â÷ ºÎ¼ÓÇ°µéÀÇ ³ëÃâ°ú ÆøÆÄµÈ TVÀÇ ÀÜÇصéÀº Àΰ£À» ȲÆóÈ ½ÃÅ°´Â ÀüÀïÀÇ ÆóÇØ¿Í ´õºÒ¾î Àΰ£¼ºÀÇ ÇØü¿Í »ó½ÇÀ» Ç¥»óÇÏ°í ÀÖ¾ú´Ù. °á±¹ ÀÌ ÀÛÇ°¿¡¼´Â Áý¿äÇÏ°Ô Ãß±¸µÈ ÁÖÁ¦´Â ±ÝÀü ¸¸´ÉÀÇ ÀÚº»ÁÖÀÇ »çȸ¿¡¼ ¹«ÇÑÁ¤À¸·Î ºñ´ëÇØÁø ´ëµµ½ÃÀÇ Çâ¶ôÀû ¼Òºñ ¹®È°¡ ÆÄ»ý½ÃŲ °¢Á¾ ºÎÀÛ¿ëÀ» ÇغÎÇÏ°í °´ë±¹µéÀÇ ÀÌ±Ç ´ÙÅù°ú ¹«ÇüÀÇ À̵¥¿Ã·Î±â°¡ Ãæµ¹ÇÏ´Â ÀüÀï¿¡ ¹«ÀǹÌÇÏ°Ô ³»´øÁ®Á® ¹«ÂüÇÏ°Ô Èñ»ýµÇ´Â Àΰ£ Æı«¸¦ Á¶¸íÇÏ°íÀÚ ÇÏ¿´´Ù. ¶Ç ¼ø¹éÀÇ ¿µÈ¥À» °¡Áø ¼±·®ÇÑ Ãµ»ç°¡ °¨´çÇØ¾ß ÇÏ´Â ¾öû³ »îÀÇ ¹«°Ô¿Í °íÅëµéÀ» ÅëÇØ Àΰ£À» ²÷ÀÓ¾øÀÌ ¼Ò¿Ü½ÃÅ°´Â Çö´ë »ê¾÷ »çȸÀÇ ºÒÇÕ¸®ÇÑ ¸ð¼øÀ» µå·¯³»°íÀÚ ÇÏ¿´´Ù.
1988³â 11¿ù 27ÀÏ ÁÖ°£Á¶¼±
Drama Taxi,Taxi Puts Montage of Vietnam War&City Life on stage
Play director Kim sang-soos Taxi, Taxi, begin shown at the Sanullim Theater in Shin-chon through Nov.20,is a serious drama that gives a limelight on the trauma of the Vietnam war through war-like images of city life.
Taxi, Taxi, written and directed by Kim, a talented scenarist for made-for-television movies and feature films, is the 30-years-old directors keen insight into the historical tragedies complicatedly interwoven in a recent history of Korea.
This time, the play-wrighter-cum-director sheds a spotlight on the trauma of Korean Vietnam War veteran who lives as a taxi driver in Seoul. The images of his Vietnam War experience and a taxi drivers daily life that looks like a wartime battle, The third pillar of story line is provided by the sad episode of a poor teenage factory worker(actress Park Kyong Suk)who dashes into a taxi to get paid compensation money illegally from the taxi driver(Chong Chas-Jin), hero of the drama.
The wartime memories are depicted in several flashback scenes on drama while the taxi driver meets a group of urban misfits in his taxi. Miss Han Song-I, TV performer for MBC-TV, takes the multiple roles of urban misfits who spin yarns about a womens life as a commercial film model, a singer aspirant, and a pregnant woman.
Chong Chae-jin exels in his portrait of bedraggled cab driver who still suffers from his traumatic Vietnam War experience. Chongs recounting of Vietnam war and ordinary taxi driver is enlivened by his remarkable caliber of acting.
Miss Han is Chongs partner on stage, who is depicted as a twisted heroine in a hedonic society. Her accounts of daily urban living is one is one of the highlight scenes of the drama. Actress Chong Hi-young plays a minor role as a Vietnam woman, the typical victim of wars in modern times.
Director Kim quotes the framework of the stage work from montage technique in cinema that juxtaposes the scenes of war and city life, mainly episodes happening on taxi, on stage. It is clash of images that director Kim wants to show on stage for the symbolic portrait of contemporarians in Korea.
On center stage at the small theater Sanullim, there is a real taxi that director Kim employs as the only stage prop. As the apparent contrast against the dark stage, the yellow-colored taxi offers the man area of acting.
Actually, it is the first time for the stage production that intensively reflects the shocking images of the Vietnam War a history of drama in Korea. I want to tell the tragedy of Koreans involvement in the dirty war through a life of an ordinary taxi driver, said Kim who also tries to make his cinema directing debut next year with his own scenario.
Kim made his stage directing debut with Circle, a total theatrical work for the human beings primitive characters wrapped up in a civilized patterns in 1978 at the age of 20. He is perhaps the youngest stage director who made a splashing debut in local theater circles.
Including People, the drama to commemorate the bicentennial anniversary of the Catholic mission in Korea four years ago, Kims previous works attracted keen attention of critics and audiences for his sharp insight into histropical problems of Korea in a contemporary setting. People, performed at the open-air stage in Myong dong Cathedral, was vivid depiction of human being living conditions at a time when belivers of a religion faced social persecution because of prejudice.
Exchanges of Prisoners if war, a 1985 stage production, was a serious study on the meaning of the fratricidal Korean War. As a post-war generation writer, Kim reviewed the past wartime generations tragic experience with his own point of view that put an accent on human beings struggle to live in an insane world.
The Korea Times 1988³â 11¿ù 12ÀÏ Åä¿äÀÏ
±è»ó¼ö 2011-1 ¿¬±Ø TAXI, TAXI
club.cyworld.com/2011-taxitaxi http://club.cyworld.com/ClubV1/Home.cy/54592182